September 18 / 19, 2015
September 3–20, 2015
Opening: September 2, 7PM
More of the Exhibition
With Andreas Bernard, Gui Bonsiepe, Lilet Breddels, Heinz Bude, Bureau d’Etudes, Thomas Flierl, John Grin, Boris Groys, Dorothea Hauser, Reinhold Martin, Henk Oosterling, Philipp Oswalt, PlanBude Hamburg, Birger Priddat, Christian Salewski, Tomás Saraceno, Bernd Scherer, Lara Schrijver, Luigi Snozzi, Wolfgang Ullrich, Margarete Vöhringer, Karin Wilhelm, Zones Urbaines Sensibles a. o.
Can design change society? How can we integrate emancipating ideas into a continuously progressing modernization? Has the aspiration of the Bauhaus and the classical avant-garde to positively change society through design been validated? By what means can we approach design change and the future in a new way today? What are targeted, but open-ended work forms? What role does co-production play? How does one design one’s own existence? What is the role of the designer? Would the absence of design offer liberation?
The symposium and the exhibition place valid positions in the context of historical models and present them for discussion. At the center of such discussions are the goals, roles, design methods, and the social processes in which designers are embroiled.
Friday, September 18, 2015
Welcome and Introduction
Designing to What End?
We begin with the question of objectives and transformation models that characterise the relationship between designers and social processes. Based on a critical retrospective of the classical avant-garde, we will look at exemplary and controversial positions in the world of today:
a) The model of the artist-engineer as redeemer Boris Groys, New York / Karlsruhe
b) Technological Transformation Gui Bonsiepe, Buenos Aires / Florianópolis
c) Spatial Agency Lara Schrijver, Antwerpen
d) System Transitions John Grin, Amsterdam
Presentation Lilet Breddels, Amsterdam
How are perceptions in everyday life and society, debates, desires and decision-making situations formed? The shaping of society does not begin with everyday situations, but with the question of how attentiveness is focused and how thinking and social debates are configured.
a) Critical theory Karin Wilhelm, Berlin
b) Critique Bureau d’Etudes, Paris
c) The production of desires PlanBude Hamburg
d) Framing / moralischer Konsum Birger Priddat, Witten / Herdecke
Presentation Dorothea Hauser, Hamburg / Berlin
Tomás Saraceno in conversation with Philipp Oswalt
Saturday, September 19, 2015
Designing the Self
In recent years the individual has increasing come into focus in the design discourse, whether in the sense of self-optimisation or co-production. Societies are not only figurations of individual existences; individuals configure societies with their practices, as Norbert Elias outlined in his figurational studies. The individual existence as a design question is equally promising and perilous.
a) The “New Man” in classical modernism Margarete Vöhringer, Berlin
b) Dasein is design. Eco-relational and mental design Henk Oosterling, Rotterdam
c) Consumption as design Wolfgang Ullrich, Leipzig / München
d) Design as self-optimisation Andreas Bernard, Luneburg
Presentation Heinz Bude, Kassel
Design-based interventions in social contexts transform spaces and operate in networks of multiple actors. The designer is thereby just one actor among many, and the things themselves have a retroactive effect on processes and design. The prevailing divisions between designer and user, producer and consumer, man and nature are dissolving. Laboratories of reality and scenarios aim for transformation without defining the final statuses. They are target-orientated, but open-ended.
a) Luigi Snozzi, Locarno
b) Constellations of the classical avant-garde Thomas Flierl, Berlin
c) Scenarios for urban-landscape systems Christian Salewski, Zurich
d) Change Labs ZUS (Zones Urbaines Sensibles), Rotterdam
Presentation Lara Schrijver, Antwerp
Closing debate: “Controversy: Autonomy, Camouflage or Emancipation? The Role of Design in Society”
The symposium concludes with a controversial debate that fundamentally questions the status of the designer in society: Does design have a potential to emancipate society, or is it autonomously self-referential? Or does engaged art serve merely as camouflage for political conflicts that are thereby not addressed, but merely aestheticised?
Keynote Reinhold Martin, New York.
With speakers of the previous panels.
Presentation Bernd Scherer and Philipp Oswalt, Berlin.
A pop-up exhibition in the Haus der Kulturen der Welt presents projects that exemplify the topic – from both historical and contemporary perspectives. This lounge-like installation in the foyer complements the conventional symposium format and allows for an open-ended reception – a supplementary, ampliative or also alternative engagement with the question, “Can Design Change Society?”
Exhibition: Admission free
video documentation of all panels
c/o ARCH+ Verein zur Förderung des Architektur- und Stadtdiskurses e.V.
D 10117 Berlin
Organized by „Project Bauhaus“ / ARCH+ Verein zur Förderung des Architektur- und Stadtdiskurses e.V.
In cooperation with Haus der Kulturen der Welt Berlin (HKW) und der Universität Kassel – Fachgebiet Architekturtheorie und Entwerfen.
Supported by Federal Agency for Civic Education (bpb).